Thursday, March 29, 2012


I realize it's been a while since I posted a review. The start of the fiscal year at the library always means a break in my ability to get new books (ordering goes on freeze for a few weeks as the financials are done and we change over the year). Also, us at the RD had a whole lotta life happening in January and February, and we're just starting to get back on our collective feet. 

Anywho, take a wander over here to read about Doubletake, which I quite enjoyed. Keep your eyes open over the next few days, as I should have a few more things published.

Wednesday, January 4, 2012

How many times have you picked up a book because you liked the cover art? Yes, we're told to 'never judge a book by it's cover' and yet we do it all the time, both consciously and subconsciously. Good cover art can make or break a book, and publishers and authors know this. It's a sad thing that so few of us know anything about the artists who package our favorite books so beautifully. So, I'm going to do an ongoing series of cover artists to give them some well deserved recognition. Feel free to contact me with any suggestions!

To start of, I'm going to feature a well known artist: Chris McGrath. Even if you've never heard his name, chances are if you read any SFF, you've seen his work. He started doing professional illustration in 2001, and he is especially known for urban fantasy covers. 2011 was a huge year for McGrath, with covers for Brandon Sanderson, Jim Butcher, Seanan McGuire, Rob Thurman, and Kat Richardson, among others.



You can check out more of McGrath's work on his website.

Tuesday, July 20, 2010

Review: Chimera

Chimera
by Rob Thurman

Chimera is Rob Thurman’s latest release.  It’s her seventh book, though it was actually written just after her debut novel.  It’s so far a stand alone, and does not tie into the alternative universe that hosts the Cal Leandros books or the Trickster books.  Like her earlier books, however, it is an urban fantasy.

Chimera features the first person narration of Stefan Korsak, a first generation Russian-American working for the Russian mafia in Miami.  Stefan is not terribly interested in the mafia, he’s instead using the money and the connections to look for his younger brother Lukas, who has been missing for ten years.  And one of his leads just struck gold.  Stefan rushes off to the rescue, only to find that Lukas is terribly changed.  He’s been made over into a killer that’s been designed from his DNA on up.

If you’re familiar with Thurman’s work to date, you won’t find many surprises here.  Stefan, especially at the beginning of the book, sounds a lot like Cal without the severe self deprecating humor/self-hate.  And since Trixa in Trick of Light has the same general flavor, it feels like you already know Stefan when you pick up the book.  Which is a shame, because as the book progresses you realize that Stefan is a deeply different character underneath the surface snark.  However, Stefan undergoes an incredible amount of character growth during this book, which hasn’t been a feature with the other two characters mentioned above.

Also familiar is the overarching theme of brothers.  This book is about the relationship between Stefan and Lukas more than anything else.  Forget the great escape and the dash across country to find information and safety; this is all about Stefan and Lukas getting to know each other and coming to trust each other.  It’s about these two characters remembering and relearning what it is to be a brother, even what it is to care about another human being.

So those are the strong points of this book: deeply crafted and endearing characters that undergo deftly executed transformations.  The weak points: this book starts really slow.  The first sixty pages are Stefan setting the stage.  Except for a few minor blips of action to establish that yes, he’s in the mafia, nothing happens.  Second, a lot of the action in the entire book feels rather superfluous.  Yes, these points are important to help the brothers grow together, but there is a feeling of randomness to them rather than the feeling that they are driving towards something.  And, as I mentioned earlier, the fact that the main narrative character is so close in style and temperament to Thurman’s other two narrative characters.  Part of me really wants her to stretch herself but then, this is the book she wrote while she was shopping Nightlife to publishers.

Chimera is available in paperback and e-book editions.  I’d recommend it to fans of Thurman’s earlier work, or fans of the Dresden Files, Ann Aguirre, Carrie Vaughn, Patricia C. Briggs, or urban fantasy buffs in general.


Thursday, June 17, 2010

It’s summer, and at the library that means it’s our busiest time of the year between summer reading programs and people checking out things to read/listen to/watch on their vacations.  In this spirit, I’ve decided to take a look at some midlist books and recommend them for summer reading, regardless of whether you are going anywhere this summer or not.  If you’re confused, a midlist book is one that has not made the New York Times Bestseller list.  They don’t receive a lot of publicity, and their authors eek out small livings rather than the mega fortunes of J. K. Rowling and Danielle Steel.  I assume you’ve filled your wish list with blockbusters like the new Dresden Files installment by Jim Butcher, and Paolo Baciagalupi’s The Wind Up Girl because everyone’s been talking about them.  Well, here’s a list of lesser known books that are just as good to add to your list.

Steampunk has exploded this past year, with the overnight successes of Gail Carriger’s Parasol Protectorate Series and Cherie Priest’s Hugo nominated Boneshaker.  However, in keeping with my aim of sticking with midlist books, I’m going to point you in the direction of Dru Pagliasotti’s Clockwork Heart.  It’s a steampunk romance set in an original world, and has a bit of fantasy thrown in.  Set in the city of Ondinium, flying courier Taya witnesses a suspicious cable car accident during a routine errand.  With the help of the Forlore brothers, she sets out to unravel what happens.  What made this book stand out for me was interesting characters with complex reasons for their actions, as well as a highly stratified society and the resultant class tension.  The Clockwork Heart is available in paperback and e-book.


Misty Massey’s Mad Kestrel is a fun debut for those who enjoy epic fantasy.  The main character is Kestrel, a rogue mage working as a privateer.  When her captain is arrested for piracy, she takes control of the ship and sails off to rescue him.  I’m hoping at some point that she writes a sequel, as there’s a lot of space in this world to work with/in.  Mad Kestrel is available in trade and mass market paperbacks.


Paranormal/urban fantasy is huge right now, but a lot of it has been drifting into the realms of romance and outright smut.  Granted, many of the leading authors in this genre make a lot of money and sell a lot of books doing that, but in a long running series such things tend to bore me after a while.  The reasons why are a blog (or two) in and of themselves, so let’s move on to my recommendation for this subgenre: Rob Thurman’s Trick of Light.  Thurman is best known for her (yes, her) original series starring the Leandros brothers.  Trick of Light is set in the same alternate universe, where pucks are used car salesmen and valkyries are museum curators, but instead stars Trixia and takes place in Los Vegas, not New York.  This is also not the Los Vegas you know from CSI and Ocean’s Eleven.  Action takes place off the strip and away from the tourists, which was a twist I enjoyed.  Trixia is playing a long game of revenge for her younger brother’s death, and as part of that is searching for the Light of Life to use as a wedge in angelic/demonic information brokering.  The plot twists delightfully, because Trixia is never upfront and honest about anything, and keeps you guessing as to what is going on in her head throughout the entire book.  Trick of Light is available in paperback and e-book, and its sequel, Grimrose Path will be released September 7. 


Jim C. Hines has wonderful series going starring none other than Cinderella, Snow White, and Sleeping Beauty as you’ve never seen them before.  He draws on the darker, original stories rather than the Disney version, and sets his tales after the original stories end.  He keeps things fairly upbeat and tongue and cheek, however, and has fast paced plots that keep you interested.  His princesses are pro-active, and more likely to save the prince from danger than to be saved themselves.   The Stepsister Scheme and the Mermaid’s Madness are available in paperback and in e-book, and the third book, Red Hood’s Revenge, will be out on July 6 of this year.  If you like Mercedes Lackey’s Five Hundred Kingdoms Series, but maybe don’t really like the romance sub genre, these are a good bet.

Tuesday, March 9, 2010

Review: Roadkill

Roadkill by Rob Thurman
A Cal Leandros Novel

This is the fifth book of the Cal Leandors series, which started with Nightwish.  The books are written from Cal's perspective, and follow him and his brother through their adventures in paranormal New York.  Cal is half human, half monster, but his brother Niko is fully human.  Other characters who make regular appearances are Robin Goodfellow, a puck, and Delilah, a werewolf.

The premise for this book is that Cal and Niko, now running a preternatural private investigation company, are contacted by a gypsy clan to track down a stolen artifact that contains the Plague of the World.  In other words, should the thief open the coffin the Plague is sealed into, the world will end very messily.  So Niko does some research, and he and Cal call up some old friends and everyone goes on a road trip of bloody proportions.

Overall, the book is well written, and Cal’s commentary is as entertaining as always.  However, I really feel like this book is taking place between major story arcs, because while it has the same characters and some of the same themes of previous books, it just doesn’t feel as connected as the previous books were.  The usual ultimate bad guys who haunted the previous four books, the Auphe, are gone and Rob Thurman has chosen not to resurrect them again.  While I can appreciate letting bad guys die with finality and not keep returning a la a Marvel comic book, it has taken away from this book.  I want a replacement arc that will pull me the reader into successive novels, and I didn’t find one here.  Instead, this fills like a mid-season episode for no other purpose than drawing things out and offering character development.

I liked the book, and if you’ve already read the other books, you’ll probably like this one as well.  But this is not the book that’s going to make you want to read everything else Rob Thurman has ever written.

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